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Level IV

Floor 1 from the Piazza Duomo entrance

Attractions

The treasure of Santa Maria della Scala

In 1359, the Santa Maria della Scala hospital, supported by the Municipality of Siena, acquired a valuable collection of relics from Byzantium, including the Holy Nail, an object of great veneration.

Children's art museum

The Children's Art Museum was established in Siena in 1998 and quickly gained recognition in the city for its rich cultural program of artistic events and related educational activities aimed at young audiences.
In 2007, it relocated to Santa Maria della Scala, gaining a new venue, a space dedicated to its collection, and taking on the role of Educational Services within the museum complex.

Piccolomini Spannocchi Collection

Officially established in 1774 following the marriage between Caterina Piccolomini di Modanella and Giuseppe Spannocchi, the collection is the result of three distinct nuclei and boasts a much older origin, whose history is intertwined with the great historical and political events that shook the whole of Europe during the seventeenth century.

The tactile path

In fact, the museum hosts a tactile journey of works created with the collaboration of the sculpture students of the Duccio di Buoninsegna art school and black and relief images of some of the main city monuments designed with the Siena section of the UICI and produced thanks to the collaboration of Rotary Siena Est.

The Pellegrinaio

In 1328, the hospital expanded its structure with the construction of a men's pilgrim lodge, achieved through the acquisition and demolition of surrounding houses to overcome a height difference of three floors. This pilgrim lodge marked the beginning of the development of the area designated for male assistance, extending the hospital towards the little square of Selva. 

Locations

The Sant'Ansano hall

The Sant’Ansano hall, together with the adjacent San Galgano hall, originally constituted a single large space that served the function of a male pilgrims' dormitory. It was used until the mid-14th century when the 'new pilgrims' dormitory' was built, later frescoed in the 15th century.

The hall can be requested for concession.

Capacity: up to 50 seats
Events: conferences and presentations
Services: WiFi, PC and audio-video system

For information and quotes
[email protected]
0577534504

 

The Chapel of the Mantle

The Chapel of the Mantle of Santa Maria della Scala has been one of the most modified spaces throughout its long history. Originally part of the primitive core of the hospital, it was a portico with three arches mentioned in a document from 1248. In the 13th century, it was transformed for civil and administrative purposes and became the seat of the chapter of friars. Between the end of the 13th and the beginning of the 14th century, the chapel underwent a sacred transformation with the addition of new religious decorations and a ribbed vault. Another significant change occurred in 1359 when it was adapted as a chapel for the sacred relics acquired in Constantinople, with the construction of a wooden choir. In the 15th century, with the transfer of the relics, the chapel became known as the Chapel of the Mantle, thanks to a fresco of the Madonna of the Mantle created by Domenico di Bartolo. In 1610, the fresco was transferred to the Old Sacristy. During the 16th century, the chapel saw further renewal, with the decoration of the vault by Domenico di Pace and the creation of a nativity scene. In the 1990s, the chapel, which had been used as the emergency room of the hospital for years, suffered damage to the painted decorations. A restoration intervention has restored decorative details and the original charm of the environment.

The space can be rented:

Capacity: up to 90 seats
Events: presentations and concerts
*any setups, to be agreed upon with the Management, are at the expense of the concessionaire
Services: WiFi

For information and quotes
[email protected]
0577534504

 

 

San Pio hall

Since the fourteenth century, the San Pio hall was part of another 'pilgrimage' of the hospital which later became a nursing home. Today, it hosts a series of seventeenth-century paintings and two important canvases by Pietro Aldi.

 

Internal road

The medieval hospital contains an extraordinary pathway for access to the various levels and connection between the parts: this is the so-called 'internal road' or covered road, which, in the memory of the Sienese of the twentieth century, is most often recalled as 'voltoni'.




The Old Sacristy

In the 1340s, during a period of extraordinary historical significance for Siena and its main hospital, in an atmosphere of great cultural, religious, and political ferment, the assisting and religious spaces of Santa Maria della Scala were extensively renovated and enriched with decorative elements, paintings, furnishings, and chapels, to the extent that the hospital became one of the most important centers of artistic production of the early Sienese Renaissance.

The Passeggio

On August 17, 1379, a resolution from the hospital indicated the existence of a pilgrim shelter and ordered its doubling in an identical room.

Sala San Leopoldo

The San Leopoldo hall has hosted the Children's Art Museum Collection since 2008. Inside there are international works dedicated to the world of childhood.

The Pellegrinaio

In 1328, the hospital expanded its structure with the construction of a male pilgrim's hostel, achieved through the acquisition and demolition of surrounding houses to overcome a height difference of three stories.

San Galgano hall

The San Galgano and Sant’Ansano halls formed a single male pilgrims' ward, later modified and expanded between the 13th and 19th centuries with various uses and transformations.

Events & Exhibitions

Exhibitions, talks, guided tours and special events in Siena.

Show all events

Story of Blessed Sorore

The fresco depicts the story of Sorore and is prominently displayed today on the left side, above the door leading to the aisles of Sant'Ansano and San Galgano.

Enlargement of the hospital

The fresco in the third bay of the Pellegrinaio depicts a construction site related to the hospital, with an octagonal building in the background and a portico where workers are engaged in their tasks.

Agostino Novello gives the habit to the rector

The fresco by Priamo della Quercia located in the Pellegrinaio, in the fourth bay on the right, represents the blessed Agostino Novello presenting the Augustinian habit to the Rector. Among the characters, the emperor John VIII Palaiologos can be recognized.

The Pope grants an indulgence

The fresco in the fifth bay on the right located in the Pellegrinaio depicts Eugene IV handing a scroll to Carlo d'Agnolino Bartoli. In the background, Oriental and African figures can be seen.

The care of the sick

The fresco, by Domenico di Bartolo, is located in the fifth bay on the left in the Pellegrinaio and depicts a medieval hospital with doctors, friars, and nurses, offering a detailed portrayal of hospital life from 1378.

Almsgiving

The fresco located in the fourth bay on the left of the Pellegrinaio depicts a historical scene in the hospital, highlighting the weekly distribution of bread to the poor. It features figures of pilgrims, sick individuals, and nobles, such as the Emperor Sigismund.

Giving young women away in marriage

The "marriage of young girls" is located in the fourth bay of the Pellegrinaio. This bay features a significant scene illustrating one of the charitable functions of the hospital: the marriage of young poor women, a practice that was part of the hospital's activities in providing assistance and social support during the medieval period.

The almsgiving of the Corticella

The almsgiving of the Corticella is located in the third bay of the Pellegrinaio. This bay is one of the most significant, as it hosts scenes related to hospitality and the care of pilgrims, including the distribution of alms, in a context that reflects the charitable practices and assistance of the medieval hospital.

The ceiling of the Pellegrinaio

The ceiling decoration in the Pellegrinaio hall, created between 1439 and 1441 by Agostino di Marsiglio, features saints and figures, along with coats of arms and vegetal motifs, across the five spans and four connecting arches.

Our Lady of the Mantle

In 1444, Domenico di Bartolo painted the Madonna della Misericordia in the Chapel of Relics, which later became a place of veneration. In 1610, the fresco was transferred to the Old Sacristy. During the restoration in 1969, preparatory sketches and hidden side panels were discovered.

The Reliquary

The Reliquary is a liturgical object of great artistic and religious value. It features reliefs depicting the Resurrection and the Crucifixion.

Reliquary of the Holy Nail

The reliquary of the Holy Nail is a work of great historical and artistic value, linked to one of the most important objects of devotion in Christian tradition.

The Hope, Fonte Gaia

Original fragment by Jacopo della Quercia representing Hope, detail of the Fonte Gaia.

The organ, church of the Santissima Annunziata

The Church of the Santissima Annunziata is equipped with an organ, with the instrumental part crafted by Antonio Piffaro and the wooden decoration by Mario di Castelnuovo.

Music chapel, church of the Santissima Annunziata

The music chapel, established in the early 17th century, is located on the left wall of the nave in the Church of Santissima Annunziata

The Christ, Lorenzo di Pietro known as il Vecchietta

The sculpture by Lorenzo di Pietro known as il Vecchietta is located inside the church of the Santissima Annunziata. The image has been interpreted as a representation of Christ the Redeemer.

Marble slab of the Sepulchre of the Rectors

Marble slab of the Tomb of the Rectors by Ascanio Covatti, entrance hall of the hospital, 1613.

Funeral monument of Rector Giovanni Battista Tondi

Funeral monument of rector Giovanni Battista Tondi, entrance hall of the hospital, 1507.

Matteo di Giovanni, Massacre of the Innocents

The Massacre of the Innocents, painted by Matteo di Giovanni in 1482 for the Church of Sant'Agostino, arrived at Santa Maria della Scala in 2006 and was placed in the Passeggio during a temporary exhibition dedicated to the painter. The work is one of four depictions of the same theme executed by the artist over a decade: the panel at the Capodimonte Museum in Naples (1468), the cartoon for the floor of the Siena Cathedral (1481), the work for the Church of Sant'Agostino, and the one made for the Basilica dei Servi in 1491.

Pietro Aldi, Nero contemplates the fire of Rome

The large painting featuring Nero was likely begun in 1887 and remained unfinished due to the premature death of the painter.