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The ceiling of the Pellegrinaio

The ceiling decoration was created between 1439 and 1440 by Agostino di Marsiglio. In the Pellegrinaio, the painter painted five bays of the ceiling along with the four connecting transverse arches. The intricate division of the vaults, keystones, and arches features a substantial number of Old Testament figures and saints, alongside anonymous faces of individuals linked to the hospital community. Each of the four vault bays, painted in blue with golden stars, bears at its center a roundel depicting a figure from the Old Testament or a prophet. The keystones display four generic faces, while the transverse arches sequentially portray saints whose names are indicated in the framing borders between each figure. The double bands dividing the vaults are decorated with vegetal motifs and the coats of arms of the Comune (municipality), the Popolo, the Santa Maria della Scala hospital, and two rectors—Carlo d’Agnolino and Giovanni di Francesco Buzzichelli, the latter being the acting rector at the time the ceiling decoration was executed. It has been hypothesized that the presence of Agnolino’s coat of arms refers to the active role played by the former rector, a man of great learning, in developing the complex iconographic program, which includes fifty-six figures drawn from the ancient Christian tradition, alongside more recently canonized saints. The program features the four patrons of Siena—Ansano, Savino, Vittore, and Crescenzio—as well as local saints Galgano, Guglielmo da Malavalle, and Mustiola. Additionally, saints, martyrs, and Church Fathers are present.