Info and tickets
segreteria@santamariadellascala.com
The standard museum ticket rates apply.
DISCOUNTS
- holders of the Unicoop Firenze membership card: €7.00; for groups of more than 10 people, €5.00 each
Inauguration
Friday, October 24, 5:30 PM
Just over six hundred years after the birth of Lorenzo di Pietro, known as Vecchietta (Siena, 1410 – 1480), the Santa Maria della Scala museum complex has decided to reorganize some of its rooms, starting from the artist who left the deepest mark on its history.
Vecchietta worked for more than fifty years for the Hospital. His works—from the fresco in the Pellegrinaio, to the frescoes in the Old Sacristy, and the bronze ciborium, now in the Cathedral—not only serve as decoration: they construct a vision and give shape to an identity.
It is from this awareness of a unique and foundational relationship that the new layout of the Hospital’s monumental rooms takes its cue. The Old Sacristy (with the Arliquiera repositioned) regains its function as an architectural reliquary and its frescoes are once again readable; the bronze Christ of the Santissima Annunziata, one of the high points of fifteenth-century Italian sculpture, can be observed up close for the first time. The Pellegrinaio returns to the center of the visit, cleared of installations that today seemed too intrusive.
Locations
The Old Sacristy
In the 1340s, during a period of extraordinary historical significance for Siena and its main hospital, in an atmosphere of great cultural, religious, and political ferment, the assisting and religious spaces of Santa Maria della Scala were extensively renovated and enriched with decorative elements, paintings, furnishings, and chapels, to the extent that the hospital became one of the most important centers of artistic production of the early Sienese Renaissance.
In the 1340s, during a period of extraordinary historical significance for Siena and its main hospital, in an atmosphere of great cultural, religious, and political ferment, the assisting and religious spaces of Santa Maria della Scala were extensively renovated and enriched with decorative elements, paintings, furnishings, and chapels, to the extent that the hospital became one of the most important centers of artistic production of the early Sienese Renaissance.
The Pellegrinaio
In 1328, the hospital expanded its structure with the construction of a male pilgrim's hostel, achieved through the acquisition and demolition of surrounding houses to overcome a height difference of three stories.
In 1328, the hospital expanded its structure with the construction of a male pilgrim's hostel, achieved through the acquisition and demolition of surrounding houses to overcome a height difference of three stories.
Church of the Santissima Annunziata
The church of the Santissima Annunziata, oriented longitudinally with respect to the square, today occupies much of the facade of the hospital. Numerous interventions and transformations have characterized its history, as well as the furnishings and works commissioned for it, some of which are still preserved within its structure, but also those of which traces remain in the rich hospital documentation or in the iconographic tradition.
The church of the Santissima Annunziata, oriented longitudinally with respect to the square, today occupies much of the facade of the hospital. Numerous interventions and transformations have characterized its history, as well as the furnishings and works commissioned for it, some of which are still preserved within its structure, but also those of which traces remain in the rich hospital documentation or in the iconographic tradition.