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Care of the sick

It is without doubt one of the most famous frescoes among those painted on the walls of the pilgrims' ward, where the hand of Domenico di Bartolo indulges, with extraordinary attention and richness of detail, of Flemish descent, in a narration that is a faithful snapshot of the hospital setting. The scene takes place in a large longitudinal room, covered by a beam ceiling supported by corbels: almost in the center, above the keystone of the arch, the coats of arms of the Captain of the People, the Balzana, and that of Carlo d'Agnolino Bartoli, rector of Santa Maria and later bishop of the city, stand out. This detail has made it possible to identify the environment with some certainty: it is the pilgrims' ward built in 1378, whose wooden ceiling was created during the rectorship of Carlo d'Angnolino. At the extreme right of the fresco we find two attendants, distinguished by age and by details of their clothing, carrying a catafalque on which rests a drape bearing the symbols of the Scala. Behind the attendants a dying man can be seen lying in bed with his head bandaged. An Augustinian friar, huge in build and bent over the sick man, is probably hearing a confession. The other central group shows in the foreground a man covered only by a loincloth, with a large bleeding wound on his right thigh; one foot is in a copper basin while the other is being dried by a hospital brother. Almost at the center of the scene there is a barber-surgeon; next to him is the rector. Below, an attendant is placing a person on a stretcher. The scene, in its extraordinary richness, offers a snapshot of the practice of medicine within the hospital.